49/100
First Varda. Though forgiving zeitgeist (2017 already seems like a way thicker movie year than 2018-- still playing crucial catch-up), perhaps not the wisest entry point. I understand much of the pleasure in Varda's work is oeuvre based, and that there's a joy in simply watching her memedom march on through the years (kinda like Herzog, though I gather we boys have turned on him). Anyway, had I been Anges-literate, It's possible I'd have liked her film less, as…
