Julian Towers’s review published on Letterboxd:
86/100
1. Seeing as how the highest rating I gave last year was an 85, there's a good chance this will end up being my favorite film of 2017. Not going to make any claims for objectivity, tho. If I ever have a career in film, this is pretty much exactly the kind of film I would want to make (except this is obviously much much, much, much, much, better). I dunno. Something about this sort of gently swelling, After-Hoursian nightmare surrealism speaks so profoundly to me. Couldn't really tell you why. Hope it doesn't mean I'm paranoid or delusional or whatever (tho I have been told more than once that I look like young Kafka).
2. I'll be back to write more about this once I've re-watched and can fully convey just what I find so stunning in greater detail.
3. Until then: GAAAWD DID YOU SEE IT WHEN ALL THE HOMELESS MEN TAKE HIS CLOTHES AA-AND THE BABY CRYING IN THE DARK aaaaanddddd THE PROG ROCK OOOOH THE PROG ROCK and OH MY GOD WHEN HE OPENS THE DOOR AND THE BOYFRIEND is OOOOOOHHHH AHHHHHHHHH AND THE SHEEP Oh hugging the sheep.
4. #thisisagoddream