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  • Taxi!



    Cagney's a taxi driver in his least appealing role as a brutish, angry hothead and a manipulative womanizer constantly threatening domestic violence - and he's supposed to be a good guy, or perhaps a warning to women about who not to fall in love with. Soft-eyed Loretta Young deserves better, and it's the women that carry the film. Cagney seems to be relying on his wise guy charm rather than his acting talents, although his crying scene is effective. The film's fame largely boils down to being the one where he speaks Yiddish and calls someone a "dirty rat." George Raft dances in a bit part.

  • The Crowd Roars

    The Crowd Roars


    Cagney's a race car driver who develops a conscience after his kid brother gets involved in the sport, and it turns him into a real heel. The drama is stiff and unnatural, and there seems to be scenes missing as characters make sudden transitions. It's only 70 min long so maybe? The race car scenes are very well done and look ridiculously dangerous. There's zero safety for the drivers or the spectators, and an inevitable grisly death has pretty dark…

  • Hard to Handle

    Hard to Handle


    Cagney's not a crook in this one. He's something even worse - an advertising man - always scheming to bilk Joe Schmoe out of his dough. The story goes in fits and starts and seems to focus on finding the right financial moment to marry the girl he's in love with, although it's possible he's more in love with her ever-present mother. The two women dress alike, he has more scenes with the mom, and she's a wiley schemer just…

  • Picture Snatcher

    Picture Snatcher


    Cagney's an ex-con who gives up the mob to be a newspaper photographer, where his knowledge of the underworld comes in handy. It's "Public Enemy" meets "The Front Page", but not as well done as either of those films. It's entertaining though, and Cagney's full of energy. Ironically, Ralph Bellamy (the jilted fiance in "His Girl Friday") plays a hard-nosed editor.

  • The Mayor of Hell

    The Mayor of Hell


    Cagney's a mob boss who gets a cushy government appointment overseeing a boy's reform school, and decides he actually wants to reform the poor kids, despite the efforts of the punitive warden, played with relish by Dudley Digges. The sensationalist movie manages to wring a lot effective emotional moments out of the kids' plight. A seasoned film veteran at the age of 16, Frankie Darro ("Wild Boys of the Road") gives a terrific performance as "The Mayor." His diminutive stature came in useful later when he played Robbie the Robot in "Forbidden Planet", and he appears in "Public Enemy" as well.

  • Footlight Parade

    Footlight Parade


    Cagney's a producer of "prologues," which are lavish live musical extravaganzas that take place before movie screenings. It's a quickly dying art form, and it's a strange musical that saves almost all of its numbers for the end. It's mostly a comedy full of racy one-line zingers, snappy comebacks, and scantily clad women. There's even a censor running around telling Cagney which towns will permit which costumes. A midpoint musical bit is surprisingly similar to "Cats", and the ending offers three consecutive Busby Berkley numbers that are gloriously extravagant, with Cagney stepping in to sing and dance for the finale - his first musical.

  • Lady Killer

    Lady Killer


    Cagney's a con man who gets in too deep with his gang of swindlers and goes to hide out in Los Angeles... where he becomes a movie star! What seems like yet another crime film turns into an amusing spoof of Hollywood that puts Cagney into a lot of silly costumes. The comedic turn was welcome. Cagney gets duped in the exact same way Robinson did in Smart Money, so obviously there's some script recycling happening at Warner Bros. Who can remember two years ago?

  • Jimmy the Gent

    Jimmy the Gent


    Cagney's a crooked genealogist (that's right, a genealogist) who scams to win unclaimed inheritances, but has trouble claiming Bette Davis' respect. This one's a flat out comedy, which means Cagney talks faster, yells louder, and slaps people around even more. The guy's a tornado. The film packs a ton into 70 minutes, and is loaded with slapstick, witty jabs, and class comedy. I was amused.

  • G-Men



    Cagney's an honest, incorruptible lawyer who joins the FBI? What? This post-code Cagney movie is a complete turnaround from all the pre-code stuff, as if it's trying desperately to correct the record. This is the first movie made about the FBI (and far better than Jimmy Stewart's FBI Story) but for bad-boy-actors-playing-it-straight movies, it's got nothing on Edward G. Robinson's "Bullets or Ballots", which Seton Miller also wrote. It tries too hard to make up for the sins of the…

  • The Thin Man

    The Thin Man


    To enjoy the first Thin Man, you need to care about murder mysteries about as much as William Powell does, which is not at all, even though he's the best detective in the business. Now that he's married an heiress, all that's behind him now, or at least he'd like it to be. He's the ultimate reluctant protagonist, and one of the more clever aspects of each movie is the way they pull our hero into solving the crime (the…

  • After the Thin Man

    After the Thin Man


    James Stewart has a minor role in After the Thin Man, but when it's over you can see why he was an actor worth paying attention to, and it's probably the first role he could sink his teeth into and make an impression (although I enjoyed his prior lead role in the musical Born to Dance, he's no song and dance man). Unfortunately, I probably enjoyed this film the least. The mystery is just a mess (perhaps I tried too…

  • Another Thin Man

    Another Thin Man


    Despite the bland title, this is the darkest of all the Thin Man movies, which gives it some dramatic weight to counter the comedic banter. Much of it happens at night, giving it a more noirish feel. The threats are serious this time, and consequently, I think I enjoyed this Thin Man movie the most, but only by a hair. Look for Shemp in a bit part.