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  • Midsommar



    Ari Aster's second feature film, Midsommar, from the beginning, with it's opening proves his authority of visual narration. And this techniqueal unity continues to the end, as long shots that introduce the location and then with continuity linear switch to close shots. There is also in intelligently framings, cuts, dialogs and specially in introduction. With all this, the film is too involved for the connection with its two main thematics (Separation and Connection). Also its main character at times gets…

  • The Traitor

    The Traitor


    The 80 years old Marco Bellocchio, in The Traitor, although forgets his main character some moments and his too much effort to discern his film from similar movies damage it, but he endeavours to reach a new viewpoint and narrate his artwork distinctly. It is admirable.