Kai Perrignon’s review published on Letterboxd:
MIFF 2019
Hats on hats of misery and pleas for agency, but lacking in enough filled in psychology to actually justify all that, imo. Won me over with occasional jabs at very dark humour (a sex scene, in particular, is as horrifying as it is perversely funny) and obviously striking aesthetic (though I could do with less handheld).
