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  • The Favourite

    The Favourite

    ★★★★

    An absurd satire of the 18th century which uses wide angle cinematography and the resulting distortion to tweak reality, yet somehow offers the core of character and motive. The script and performances are brilliant.

    84/100 - Great

  • Drunken Angel

    Drunken Angel

    ★★★★½

    Groundbreaking film for Kurosawa and a gesture of what was to come of the interplay between two greats: Takashi Shimura and Toshiro Mifune.

    Mifune's legendary status begins here.

    89/100 - Excellent

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  • Moonlight

    Moonlight

    ★★★★★

    Piece published on Aesthetics of the Mind:
    bit.ly/24snzSn

    On second viewing, I confirmed that Moonlight is truly a contemporary masterpiece, and currently the best film I've seen in 2016. My truncated review of past explained my primary observation: that the camera searches for and amplifies the quiet peace found in fleeting moments of connection with others. Herein, I wish to elaborate.

    Though presented as a conventionally structured coming of age drama with three distinct chapters, Moonlight is far from a…

  • Pompeii

    Pompeii

    ★★★★★

    Review Posted at Aesthetics of the Mind

    Abstract:

    Paul W.S. Anderson rejects history and unapologetically creates a fictional story which constantly makes reference to its own artificiality. Affective images (emotionally affecting stills), saturated colours, and the hyperbolization of reality are features of its imaginative aesthetic, of a unique and auteur-driven vision of a fictional world: an artificial play which generates much genuine human emotion. Love is its content, from the love of Milo and Cassia to the brotherhood of Milo…