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  • The Beaver Trilogy

    The Beaver Trilogy


    The iterations are everything.

  • Tony Robbins: I Am Not Your Guru

    Tony Robbins: I Am Not Your Guru


    A competent documentary about a monster. Nothing special.

  • Wind River

    Wind River


    Between my father and I, we have a combined 50- some years of Wyoming law enforcement experience under our belts, so we approached this with skepticism, but Wind River is actually very true you that experience. Jeremy Renner, whom I tend to think of as Hawkeye, suddenly felt like one of my neighbors, meaning he really disappeared into the part. The Park City locations looked enough like the real ones to also effectively disappear for us -- so we were able to just enjoy the movie, which is superb, un-sensational, unsentimental, but affecting all the same. Bravo!

  • Dunkirk



    This us my favorite story from WWII, so I've been avoiding this movie or if fear it wouldn't live up to the material. That was foolish of me. Nolan made all the right choices from casting to cinematography to treating the project like a souped up silent film with minimal dialogue and exposition. Damn near perfect.

  • The Cloverfield Paradox

    The Cloverfield Paradox


    I expect this not to stand up super will on subsequent viewings but it was fun and now I'm going to re-watch the other two films XD

  • Tampopo



    Still the best noodle western ever made.

  • Perceval



    This is such an unusual film! To watch it is to feel one is attending a ritual straight out of Jesse L. Weston's book. Stylized, artificial, cerebral, it engages like no other.

  • The Cook, the Thief, His Wife & Her Lover

    The Cook, the Thief, His Wife & Her Lover


    This review may contain spoilers. I can handle the truth.

    Not my favorite Greenaway, for all that the elements I look to my trio (Greenaway/Vierny/Nyman) for. I find it even harder to watch now than I did many years ago. I realize that's a sign of its impact and thus its quality, but I just don't like it much. Then again, I don't much care for gangster stories, even if, as here, the bully gets what's coming to him.

  • Drowning by Numbers

    Drowning by Numbers


    My first Greenaway film and my forever favorite. From its strobe-lit misty scenery to its gratuitous extreme closeups of nature (hooray Sacha Vierny) to the extraordinary performances of Bernard Hill and Joan Plowright and Juliet Stephenson and Joely Richardson to the delightful and weird games that form its sub-plot to its perfect perfect perfect Michael Nyman score... There is nothing about this movie I don't adore.

  • A Zed & Two Noughts

    A Zed & Two Noughts


    My inability to tire of this film has nothing to do with the plot or characters (though it was once an important part of my grieving process) and everything to do with the weird aesthetics of the time lapse decomposition films, the narratively relevant David Attenborough voice overs, the gorgeous multiple strobe lighting, and Andrea Fereol. And the snails aren't too bad, either.

  • The Draughtsman's Contract

    The Draughtsman's Contract


    I love this film the most for its score, in which Michael Nyman, my favorite film composer, remixes some of the best bits of Henry Purcell, my favorite composer, full stop. But I also love that it's set in my favorite period, the 17th century, and shows off Greenaway's wonderful talent for tableau, though not yet his mastery of side scroll with tableau. I consider this film an underrated work of genius.

  • Rare Exports: A Christmas Tale

    Rare Exports: A Christmas Tale


    First time seeing this since I caught its premiere at the Toronto International Film Festival. It holds up brilliantly, first and foremost as a crazy 80s style action flick XD