• The X Files

    The X Files


    Damn. Chris Carter seems to have forgotten how cool and capable Scully is.

  • Last and First Men

    Last and First Men


    “Listen patiently.”

    Those words open Jóhann Jóhannsson’s first and, sadly, only film. A simple request from Tilda Swinton that acted like an incantation: locking my gaze and dissolving the world around me.

    Last and First Men is a soft but urgent plea to consider our place as a species – who we are in relation to one another, to future generations, and to the universe as a whole. A lot to accomplish in 70 minutes and yet there is not…

  • Barakat



    Besides making me feel horribly homesick, Barakat also managed to portray a community of whom I am ashamed to be so ignorant. It's a tender, moving film that celebrates the beautiful aspects of Islamic culture and community in Cape Town.

    Though predictably plotted and unevenly acted, this is a slice of South African cinema that delivers what our industry so desperately needs. It wants to crack a door open, showing SA and the world at large what permutations a religion…

  • The Thing

    The Thing


    This review may contain spoilers. I can handle the truth.

    A genius work of creep and gore, making this the first Carpenter film that I admire. Having been put off by the silliness of The Fog and the weightlessness of Assault on Precinct 13, it's good to now know that I'm not just a stick in the mud.

    Sure, there are issues. From the opening credits we know who the last man standing will be, and the scenes between extraterrestrial eruptions are a little bland. But when it goes for…

  • Akira



    A bewildering, stampeding film that certainly lived up to the hype. Though a game-changing work of animation, I'm surprised that no one mentioned its incredible score and soundtrack to me. As landscapes shift and violence is meted out unsparingly, the sound makes you feel the full weight of those events - indenting your mind and stopping your heart.

    Its influences are quite clear (Blade Runner, in particular), as are its descendants (Chronicle, again in particular). Of course, it is also…

  • La Haine

    La Haine


    100 Years of Cinema: 1995

    An unexpected amount of humour in the film - though that seems to dislodge it from any kind of categorisation. I'm trying to remember whether Do the Right Thing - a film to which Kassovitz is indebted - draws laughter with similar frequency. That doesn't mean that La Haine is a walk in the park, though. When it needs to double-down on brutality and make us uncomfortable, it certainly succeeds.

    This 4k restoration emerges during…

  • Gates of Heaven

    Gates of Heaven


    100 Years of Cinema: 1978

    Despite being only 85 minutes long, it’s difficult to choose where to start with Gates of Heaven - a peculiarly beautiful insight into the world of pet cemeteries, by seminal documentarian Errol Morris.

    This isn’t a case of a formally bland documentary enlivened by strange and intriguing subject matter, but a film that is fascinating right down to its grammar. Morris makes heavy use of talking heads – the oft-derided staple of documentaries, notorious for…

  • The Squid and the Whale

    The Squid and the Whale


    The Squid and the Whale is interesting on the level of craft and not so much when it comes to the story itself. Populated with intolerable people, Noah Baumbach’s first rumination on divorce and its fallout lacks an empathetic anchor. There is no question that the script is sharply written, with biting lines and wry moments concerning self-delusion. None of that impresses me, though, when I cannot care enough about any of these characters to feel invested in their plights…

  • Ratcatcher



    There aren’t many filmmakers who know how to respectfully portray trauma. On that short list, Lynne Ramsay’s name outshines all others.

    It is truly remarkable to see an adult relay childhood with such accuracy and love. From the complex, multi-layered relationship between a son and his father, to the aimless but entrancing joy of kicking an empty Coke can down the street. The world Ramsay has built is so real, so tangible. I believe in every one of these characters…

  • Aguirre, the Wrath of God

    Aguirre, the Wrath of God


    This review may contain spoilers. I can handle the truth.

    100 Years of Cinema: 1972

    In 2019, Werner Herzog seems more myth than man. After a few middling years, attention concerning the German filmmaker has shifted more from his work to his eccentric personality and experiences – to breaking the law, getting shot, and chickens. Even his frequent cameos in shows such as Rick and Morty and Parks and Recreation riff on that outlandish personality.

    Returning to his early work reminds us of why he is among the best directors…

  • Singin' in the Rain

    Singin' in the Rain


    100 Years of Cinema: 1952

    I don’t think any other film can be as fun as Singin’ in the Rain. Funnier, sure. But not as fun. It’s an enormous wave of colour and joy that knocks you flat and leaves you smiling.

    The wonderful handling of the silent-to-talkies transition makes it even more delightful – showing (rather than telling) us a pivotal moment in the history of film. The awkwardness of the sound equipment, the need to redesign movement and…

  • The Beach Bum

    The Beach Bum


    Do you think Harmony Korine wants to be Moondog? I only ask because this film is hyperventilating in its love for the protagonist – something that just did not work for me. I don’t morally object to any of the characters in this film. That’s not the issue at all. Given a focused script, this could have been an entrancing trip into an otherworld American dimension, filled with strange and wonderful subplots. Instead, we trail behind him, hoping for a…