Keith LaFountaine

Keith LaFountaine Patron

Horror writer & cinephile.

www.keithlafountaine.com

Favorite films

  • 2001: A Space Odyssey
  • Solaris
  • Seven Samurai
  • Army of Shadows

Recent activity

All
  • Theater Camp

    ★★★★

  • Malum

    ★★

  • The Holdovers

    ★★★★★

  • The Killer

    ★★★★

Pinned reviews

More
  • Killers of the Flower Moon

    Killers of the Flower Moon

    ★★★★★

    Much has been made of Killers of the Flower Moon and its gargantuan runtime. But there was not one moment during the film that I checked my watch or my phone. Further, there was not one moment I felt the urge to do so.

    What Scorsese and his team -- including many from the Osage Nation -- have accomplished here is nothing short of devastating and remarkable. This story spans years, encompasses hundreds of characters, and it reveals the pitted,…

  • A Florida Melancholy

    A Florida Melancholy

    ★★★★★

    That final shot will stay with me forever, Eli. As will you.

Recent reviews

More
  • Theater Camp

    Theater Camp

    ★★★★

    The first act was a little rocky. Wasn't sure if I would like it or connect with the humor. But it quickly hits its stride in the second act, and the third brings everything together.

    Great performances all around.

  • Malum

    Malum

    ★★

    Last Shift -- while not a movie I've seen recently -- took me by surprise when I watched it. I initially wrote it off as a cheap straight-to-DVD, by the numbers horror story, but it ended up having a few tricks up its sleeve.

    Having just finished Malum, a remake of that film, now emboldened by a bigger budget, I can't help but scratch my head a little. Trading in grit for gloss may seem like an appealing idea (I…

Popular reviews

More
  • No Country for Old Men

    No Country for Old Men

    ★★★★★

    A modern masterpiece. The Coen Brothers create a world filled with silence and then use Hitchcock-esque suspense to tear violent holes in said world.

  • Sound of Freedom

    Sound of Freedom

    ½

    Reviewing a film like Sound of Freedom is near impossible as any criticism or dislike will automatically be met with claims that said detractor "doesn't care about children" or somehow condones trafficking.

    That is by design, naturally. So what if the film's commentary on this subject is about as shallow as a puddle? So what if the film's purported hero is a fraud who has consistently overembellished his role in saving victims? So what if the film's star and subject…