Gaslight ★★★★

I’m just amazed that the 21st century reached way back in time to this fairly obscure noir to reclaim its title as a term of contemporary relevance. I’m just as amazed that the movie itself is so damn good, constructed with confident broad strokes but full of precise, rewarding details. But that’s George Cukor for you; an underrated auteur. It helps too that Boyer and Bergman are both fantastic.

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