Does this have a bad guy you could see coming from miles away? Does this prop up a painfully uninvolving bonding between the heroine and some dumb kid as some kind of cheap redemption? Does this feature endless hordes of nameless, faceless and interchangeable Asian males getting killed dispassionately? Does this take itself way too seriously? Does Netflix have no one with any real taste working in its acquisitions department? You know the answers to all of these questions, just as you know the outcome of this movie even before you hit play.

Except perhaps for its moderately distinctive cinematographic style, this Wick-ian derivate is massively, audaciously unoriginal in every respect.