Khoi Vinh’s review published on Letterboxd:
Takes a fascinatingly terrifying premise and slathers a thick coat of ridiculous pretentiousness all over it. The main culprit is a threadbare script that prizes preciousness over character work, along with a gawd awful soundtrack that compounds the artifice of some pretty tinny ADR. I can see how this would have appealed to arthouse audiences in 1975, but I’m genuinely surprised it’s endured without contention since.