Starts off weak and gets considerably better as it goes on. The whole “Laurie and Michael finally face of ONE LAST TIME” pitch would have been more effective if they hadn’t already done that twenty years previously with Halloween H20. Halloween 2018 (seriously, what’s with giving it the same title as the film it’s a direct sequel to?) is the better of the two films overall, but I actually think H20 managed to make that confrontation between the two old…

I should be annoyed by this film's stubborn refusal to make a lick of sense, but I'm not. Not one bit. Over a decade after I first saw it, MULHOLLAND DRIVE remains as sumptuous and mesmerising an experience as ever. I'm almost inclined to suggest that to try to decode it and impose rational logic on it is to miss the point - better to just let the sounds and images wash over you and experience it as Diane (the…