i had no idea this was a debut feature until i went looking for the poster. in retrospect, it makes a lot of sense, but i mean that in absolutely the best way possible. what a debut. i couldn’t possibly imagine an established filmmaker putting this together in the bluntly feminist way fargeat has without feeling compelled to bog it down with layers of subtext to “justify” already understandable violence, or worse still, sexualise its most traumatic elements. whatever The…
