Daniel Imrem
Daniel Imrem

Daniel Imrem

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  • Three Colors: White

    Three Colors: White

    ★★★★½

    This review may contain spoilers. I can handle the truth.

    His DICK works again.

  • I Was Born, But...

    I Was Born, But...

    ★★★★

    It really pains me that I could live for 100 years, and still not know or love people as much as Ozu did when he made this film.

    "I was Born, But..." is a fucking silent Japanese film from 1929, and I was almost in tears from its effortless honesty and gentle universality.

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  • Pioneer

    Pioneer

    The next time I hear somebody giving out the shit advice "show, don't tell" I'm going to show them this.

  • A Dog's Life

    A Dog's Life

    Brutalizing a cop is the best way to show that your silent film protagonist is a man of the people

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  • A Day's Pleasure

    A Day's Pleasure

    "Stupid ass!"

    Everytime I watch one of these hilarious silent shorts by Keaton or Lloyd or whoever I can always count on a handful of letterboxd reviewers to be super cynical about it. It's good to know that hard-hitting critical analysis will always live on through written attempts at taking Charlie Chaplin down a peg.

    The man fights a butt in this movie, guys. He literally punches a dude's cheeks.

    "Meh; it's not his best though."

  • Dry Wood

    Dry Wood

    Watching Les Blank films and eating Popeye's chicken because I'm developing a low-key crush on the state of Louisiana