The Devil's Hand ★★★

I'm always happy to see Bruno VeSota's name in a movie's credits, it's almost a guarantor of offfbeat, indie-50s funkiness. When he eventually became part of Roger Corman's stock company, that was just the culmination of all his career choices up to that time.

This is maybe the most generic thing I've seen him involved with, but it is *still* a gutter-noir version of The Seventh Victim, with a script that seems like it might have been pieced together by someone eavesdropping on beatnik gossip about Anton LaVey and his crew (and fictionalizing the results really really heavily because.)

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