Really love this film. Best Spike Lee since 25th Hour.

DP Chayse Irvin kicks ass with gorgeous 35mm lensing. Beautiful framing and coverage.

Barry Alexander Brown, who has been editing most of Lee's films since School Daze, delivers once again. The pacing and bold cutting decisions are part of Lee's signature... building to an incredibly moving epilogue that had the audience sitting in deafening silence.

See it on the big screen.