Henry: Portrait of a Serial Killer ★★★½

Not as shocking as others of the genre Last House on the Left for instance, but not far from it. Taking the alienated cruising of Taxi Driver and adding the visceral realism of home video, really puts the viewer uncomfortably close to Henry and Otis. Moral reciprocity envelops the viewer rather than any sort of character understanding or empathy. These are two clearly outlined types, sociopathic and wickedly evil deplorables, filtered by documentarian lenses and dehumanised by synthy scoring.