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  • Le Samouraï

    Le Samouraï


    What an amazing film to finish the year with.

  • Maleficent


    What an awful film to finish the year with.

  • The Grand Budapest Hotel

    The Grand Budapest Hotel


    Original Review

    An even more delightful confection a second time around. Officially now Wes Anderson’s best film.

  • Frozen



    Original Review

    Still just okay and still not a patch on Tangled. I’ll also be happy if I never have to hear the song Let It Go again too.

  • Christmas Icetastrophe

    Christmas Icetastrophe

    When you realise you've got your priorities terribly wrong: Spending Christmas Day watching a new Syfy movie.

  • Over the Garden Wall

    Over the Garden Wall


    Over the Garden Wall is a bold direction for Cartoon Network. Not only is it the network’s first foray into the mini-series format but it is quite unlike anything they have commissioned before. It’s a melancholic, dreamy and richly detailed story as two lost brothers wander through the eerie and mysterious Unknown looking to get home. Although many of the episodes feature self-contained stories there is a clear arc for the narrative and characters which eventually gains clarity in the…

  • Björk: Biophilia Live

    Björk: Biophilia Live


    Bjork is without doubt my favourite musical artist. I might not always love every album but her inquisitiveness and boundless experimentation make her truly one of a kind. Biophilia Live brings to a close her latest tour in glorious fashion. Opening with David Attenborough’s narration introducing the show this is no ordinary concert video as Bjork and her directors, Nick Fenton and Peter Strickland, create a rich audiovisual experience blending nature, music and technology to striking effect.

  • Swimmer



    It might resemble a lengthy Guinness commercial at times but Lynne Ramsay’s oneiric ode to Britain’s waterways and cinema is a haunting, poetic and often exhilarating treat. Shot in sumptuous black and white this short film, produced as part of the London 2012 festival programme, follows the journey of a swimmer as he navigates British rivers and canals eavesdropping on the sounds of some of the nation’s most famous cinematic works.

    I can’t wait to sink beneath its inky black waters again.

    Watch here

  • Paddington



    Paddington, both in the form of Michael Bond’s original stories and Ivor Wood’s captivating animated series, was always a childhood favourite which was why I was so opposed to the news of a cinematic adaptation. The terrible marketing and soulless trailers only reinforced my original opinion that a film based on the marmalade obsessed bear from darkest Peru was a mistake. How wrong I was.

    Ignore everything you’ve seen and forget about other recent CG/live-action hybrid adaptations of much-loved childhood…

  • Interstellar



    Some striking imagery and fleeting moments of beauty can’t stop the film feeling every second of its 169-minute run time, and then some. It’s a film that will undoubtedly enthral many and its ambition and lack of blockbuster action is admirable but I felt rather numb and disinterested by the whole journey. Suffering from an abundance of expository dialogue (and not just for the science bits) and lethargic pacing its opening two hours were partially saved by its fine cast…

  • Jurassic Park

    Jurassic Park


    Original Review

    I’m always suspicious of people who don’t love this film.

  • Pompeii



    Pompeii is the unloved bastard child of Gladiator and Titanic as crap-peddler, Paul W.S. Anderson, unsuccessfully melds a disaster epic with ham-fisted romance. As a director he has been churning out bland B-movies for years and whilst this is undoubtedly his biggest (certainly in budgetary terms) it also proves to be one of his dullest with only the briefest glimpses of a personality.

    With a title like Pompeii it is pretty obvious where the story is heading. What is slightly…