loureviews’s review published on Letterboxd :
This rarely seen Bette Davis drama (and never have those eyes been more expressive than in one scene you'll recognise when you see it) is the ultimate study of greed within a family, with the monstrous Regina (Davis) plotting the life and fate of her winsome daughter Alexandra (Teresa Wright, making her screen debut).
This story of the old South does not move much from its stage origins - in which Tallulah Bankhead played Regina. It cries out for colour but with Gregg Toland's camera work and William Wyler's direction it looks fairly sumptuous as it is.
A fizzing plot keeps this family saga going, and when the estranged and ill man of the house (Herbert Marshall) comes back we can sit back and enjoy a couple of stars at their best.
Davis was Oscar nominated for her turn as the austere, white-faced matriarch plotter, but lost the big prize to Joan Fontaine, who won for Suspicion .