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  • 2001: A Space Odyssey
  • L'Argent
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  • Vampyr

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  • The Shining

    ★★★★★

  • A Clockwork Orange

    ★★★★½

  • Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

    ★★★★½

  • Entranced Earth

    ★★★★

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  • The Shining

    The Shining

    ★★★★★

    Da biografia escrita por Vincent LoBrutto:

    Actor Tony Burton was cast as Larry Durkin, the owner of an auto repair shop in Colorado who supplies Halloran with a Sno-Cat to reach the Overlook during a winter storm for the climax of The Shining. “The first motion picture I ever worked in was John Carpenter’s Assault on Precinct 13,” explained Tony Burton [...]. “At the time Assault was running in a theater in London for years. It became a cult film.…

  • A Clockwork Orange

    A Clockwork Orange

    ★★★★½

    Letter to the Editor of The New York Times, February 27, 1972

    “An alert liberal,” says Fred M. Hechinger, writing about my film A Clockwork Orange, “should recognize the voice of fascism.” They don’t come any more alert than Fred M. Hechinger. A movie critic, whose job is to analyze the actual content of a film, rather than second‐hand interviews, might have fallen down badly on sounding the “Liberal Alert” which an educationist like Mr. Hechinger confidently set jangling in…

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  • Young Mr. Lincoln

    Young Mr. Lincoln

    ★★★★★

    [January 26, 1946]

    My dear Ford!

    I’m very sorry we never met personally – except the one case of being reproduced in picture form on the same page in Gorelik’s New Theatres for Old!
    Hell knows what you think of my pictures, but I’m ranging among your most fervent admirers here.
    And that’s why I’m addressing you this letter.
    We’re publishing here a series of books under the title Materials on the History of World Cinema Art. I’m the editor…

  • Holy Motors

    Holy Motors

    ★★★★½

    Notas para uma aula sobre Annette Michelson

    Antes de existir um cinema surrealista, existiu uma forma surrealista de ver filmes. Breton e Aragon tinham o costume de entrar nas salas de cinema sem saber qual era o filme programado, minutos após o início da projeção, e ir embora antes que esta chegasse ao fim. O objetivo era mergulhar na realidade fílmica como em um sonho, sem outro contexto ou propósito; experimentar o fascínio em seu caráter passageiro, sem a moldura…