It's Alive ★½

I sure do know how to pick ’em. This reboot of Larry Cohen’s infamous early-’70s exploitation shocker has a decent concept, playing on the mother-child bond as opposed to the original’s no-frills mutant baby rampage. And it’s competently composed from a visual standpoint. Shame it was apparently edited by idiots, and acted by rank amateurs. Then there’s the whole anti-choice slant. Yeah, that. Not good.