Favorite films

  • Killers of the Flower Moon
  • The Exorcist: Believer
  • The Killer
  • Flora and Son

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  • Sydney White

    ★★★

  • Indiana Jones and the Dial of Destiny

    ★★★½

  • Mission: Impossible – Dead Reckoning Part One

    ★★★★

  • The Parent Trap

    ★★★½

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  • Oppenheimer

    Oppenheimer

    ★★★★½

    One of the first things I noticed in Oppenheimer was what appeared to be the same formal technique employed in Memento with the color and black and white scenes representing two different timelines. While Nolan certainly plays with time in this film, the use of color versus black and white is used instead to differentiate two subjective points of view. The first, labeled as 1. Fission is in full color, representing J. Robert Oppenheimer's complex, nuanced, and ever evolving perspective.…

  • The Banshees of Inisherin

    The Banshees of Inisherin

    ★★★★

    This review may contain spoilers. I can handle the truth.

    After failing to find any enjoyment in Three Billboards, and having mixed feelings toward Seven Psychopaths, I was doubtful that I would enjoy Martin McDonagh's The Banshees of Inisherin. I was pleasantly surprised at how much I enjoyed this, as McDonagh seems to strike more of a balance in tone between the absurd, comical, and deeply profound. The film revolves around a rift caused between two lifelong friends, Colm and Pádraic, when Colm decides one day that he no longer…

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  • Indiana Jones and the Dial of Destiny

    Indiana Jones and the Dial of Destiny

    ★★★½

    I wasn't prepared for this many people to be sucker punched in one movie.

  • Mission: Impossible – Dead Reckoning Part One

    Mission: Impossible – Dead Reckoning Part One

    ★★★★

    Tom Cruise delivers the goods as usual, but it doesn't quite reach the heights of Fallout, the series' best so far. Kirby and Ferguson continue to deliver standout performances, while Klementieff's character seems quite underwritten. Dead Reckoning also has a lot of redundant obvious dialogue that grew a bit tiresome towards the end. Still, films like these highlight the difference that practical effects and top-tier stuntwork makes in terms of delivering a thrilling, high-stakes moviegoing experience.

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  • Newness

    Newness

    ★★★

    You can't have a movie about millenials without a scene including avocados on toast...

  • Green Room

    Green Room

    ★★★★½

    Green Room is Saulnier's transition from primary colours to secondary colours.

    This time he experiments with a palette of natural and artificial greens, reflecting the true and artificial nature of the characters portrayed in the film. A common thread between this and Blue Ruin is how Saulnier exposes his characters. At first, they seem to have a tough exterior, but traumatic events in the film reveal their true and vulnerable selves.

    The Ain't Rights are no exception, a punk band…