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  • L'amant double

    L'amant double

    ★★★★

    Ayyyyyyyyyyyyyyyyyyyyyyyy

  • 24 Frames

    24 Frames

    ★★★½

    DISCLAIMER: I only saw 19 of the 24 frames, but each functions according to the same principle...

    Kiarostami explores the power of photography via the power of film in a (too long) series of "photographs in time." I found myself at once bored and entranced, my mind racing as I tried to figure out why such simple clips made me feel so lucky to be alive. Here are blurbs about my conclusions.

    A photograph captures a moment and suggests a…

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  • Me Before You

    Me Before You

    ½

    ✨A film so hateful should never be seen or have been made.✨

    The beautiful, but most importantly very rich Will (Sam Claflin) should never have had an accident. He was such a perfect guy! "What's the point of being rich and beautiful if you can't even ski?"! is the basic premise of this film.

    Even worse, what's the point of finding a young, slightly basic middle-class girl to whom you can mansplain everything about art cinema, and who is ready…

  • Redoubtable

    Redoubtable

    ★½

    Basic Godard who fucks...



    That the great French New Wave director Jean-Luc Godard hasn’t always been a very kind man isn’t news to anyone. His rebelliousness is in fact the very reason why he was such an important and controversial figure at a time when French –and European- cinema was in a state of limbo in the late 1950s and the 1960s. With Redoubtable, French director Michel Hazanavicius (The Artist) decides to tackle not only this public persona of the…