What is now most iconic about Sofia Coppola’s THE VIRGIN SUICIDES is the predominant colour in the Lisbon girls’ bedrooms: the pale pink on their walls, lipsticks and knickers has even gotten its own name, ‘millennial pink,’ possibly revealing the aesthetic impact this film has had on a whole generation of filmgoers. But what gets forgotten in this superficial praise –countless fashion shoots have taken cues from the close-up on Kirsten Dunst lying on a grassy football field in her…