As early as the opening scene it becomes very quickly apparent that Dominik could not care less about Marilyn Monroe as a person or even as an icon, the one thing he cares about is Marilyn Monroe the victim. I've seen some Lynch comparisons which can definitely be felt in the directing, cinematography, editing, music, & performances but the big difference is that Lynch doesn't fetishize trauma.
I'll give this a few points for the generally interesting filmmaking but it is…
