There’s a defining moment in Guadagnino’s Adriatic opus that has more power to it than anything else seen on network television in a very long time. It’s far from a big event or even an unforseen tragedy, but rather, a moment of deafening silence that not only crystallises the premise, but comments on the state of our world right now, and that moment is this:
Sarah Wilson is on the couch watching a live-stream of Trump’s victory unfold on television…
