that le livre d'image review was right, cinema is now made through gifs, netflix says there's like a hundred more of these and that makes sense, it has an almost manufactured formal confidence that can only really come in big numbers, but there's also the ocassional tenderness that saves it from being just some sort of (i'm guessing) sion sono rippoff. cursed 1000th log, goodbye cinema, hello cinephilia.
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Tommaso 2019
i guess the reason why this could be seen as such a confusing work is that while it isn't the complete self loathing piece the decision to cast his wife and daughter may suggest (plus some reviews), it isn't a reflexive walk through the filmaker's interests affair either (compared to tommaso, ferrara's version of pasolini seems like the most calmed person ever, which admittedly makes the decision to have dafoe as the leading man again a very intriguing one). i…
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Once Upon a Time… in Hollywood 2019
Millionaire builds own private version of heaven using da power of cinema™ to run away from his problems while pretending to aim for reflexivity. Completely full of shit. Very enjoyable.
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