Oh, frabjous film! Bradley Cooper’s astonishing high-wire act feels classic and modern at the same time: immersive and impressionistic, breathtakingly bold. A kick in the pants to mainstream cinema.
More at FlickFilosopher.com.
Oh, frabjous film! Bradley Cooper’s astonishing high-wire act feels classic and modern at the same time: immersive and impressionistic, breathtakingly bold. A kick in the pants to mainstream cinema.
More at FlickFilosopher.com.
The king of all monsters gets a period-piece reboot, and it’s the closest the series has gotten since to the sincere, unironic horrors of the 1954 original. No comfy escape from terrible reality here.
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Nice Guy garbage man Josh Lucas negs sad sack Katie Holmes. Based on the pernicious self-help philosophy that insists that everything wrong with your life is your fault. You know: feel-good romance!
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Descends into emotional idiocy and insufficient intrigue to end in a disgusting place that presumes that a woman is an appropriate pawn in games men play.
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