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  • Foxy Brown

    Foxy Brown

    ★★★½

    Compared to the other Pam Grier film Coffy, Foxy Brown’s storytelling is harder to follow. It’s not a carbon copy of Coffy, even though there are likenesses such as the feisty female protagonist and cat fight sequence. Foxy Brown is considered a sequel of sorts.
    After roughly 30 minutes I still didn’t quite know where things were going. Something about a black man who can witness against a drug dealer and they are trying to get rid of him before…

  • Dawn of the Planet of the Apes

    Dawn of the Planet of the Apes

    ★★★½

    Enjoyable action/science fiction with CGI apes you can root for, although I was frustrated that many scenes are dimly lit, which may have been deliberate to make the special effects team's job easier. The mix of sign language and speaking apes worked, despite not fully explaining why both was included.
    Caesar's revelation about humans and apes is a powerful scene with its racial connotations, but the film (except the image from the poster) is not as visually distinctive as 2017's War of the Planet of the Apes.

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  • Videodrome

    Videodrome

    ★★★★½

    Could be David Cronenberg's most important, visionary, and ambitious work. A cult film that is disturbing and visually grotesque, so not for the faint of heart.
    Thought-provoking, not least because the film is a window into the future: Freely available information, avatar names, the limits of satisfaction and entertainment, the effects on your surroundings and on the mind of watching violence, sex or torture, and whether entertainment is at the expense of something more worthwhile. Does viewing kill our brain…

  • The Lodger: A Story of the London Fog

    The Lodger: A Story of the London Fog

    ★★★

    So many versions available on YouTube so I decided to go with the official dvd from the library. The score fits well for a thriller and particularly the chase ending stayed with me. I liked the cinematic approach to storytelling, pulling coat up over face, handcuffs, portraits on the walls, and so on. An impressive trick is when the family look up and we see the lodger (worm 's eye view) restlessly walking alone in his upstairs room. Thematically the same old from Hitchcock, this time in silent.