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  • Juliet, Naked

    Juliet, Naked

    ★★★½

    Rose Byrne and Ethan Hawke were born for each other. This is very lovely.

  • BlacKkKlansman

    BlacKkKlansman

    ★★★★

    Spike Lee has spent his career confronting the harsh social and economic realities of being Black in America. While they often vary in setting and tone, each Lee “joint” (as he’s always called his films) paints an eerily similar picture of how institutionalized racism and social injustice become rooted in complacent mainstream culture. No other film in Lee’s filmography deconstructs this premise quite like BlackKklansman, a mesmerizing biopic about the wild, true story of a black Colorado Springs police officer…

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  • Spring Breakers

    Spring Breakers

    ★★★★½

    In this postmodern acid wash nightmare called 21st century America, some of us no longer have the ability to register rock bottom. We just spiral deeper into the neon abyss, documenting our own demise by way of pop culture and ego and delusion. Complex emotion is meaningless. The momentum of deceit is unstoppable. Those contemplating the limits of excess are either delusional or weak, unnecessary, disposable. As a result, the Culture teaches us to be cold, unfeeling, and obsessive to the pursuit of nothing else but those boobies y'all. We are what we lust after, and we are lusting after self-destruction. Mission Accomplished.

  • Blackhat

    Blackhat

    ★★★★

    This review may contain spoilers. I can handle the truth.

    The highs of low tech, the lows of high tech. Sensory clashes overwhelm plot. Mann's first pure romance film since MOHICANS. The action scenes are expectedly great, but there's a new wrinkle of humanity and romanticism here. At one point a character has just confessed her husband died in 9/11, then seconds later she lies on the ground riddled with bullets. Mann cuts from a CU of her face to a POV of a massive skyscraper, inferring the end of…