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  • Birdman



    Courageous and wholehearted acting; brilliant cinematography and editing (SNUBBED FROM OSCARS?); symbolic, purposeful, almost autobiographical writing; a provocative structure and style -- Birman is one of the best crafted pieces of metafiction since Charlie Kaufman's Adaptation, and has set the standard for cinematic style in 2014.

  • Interstellar



    I find it overwhelmingly disheartening that Interstellar, with it's self-perpetuating canvas, ambitious narrative, and truly awe-inspiring technical production, is reduced by skeptics/critics to be "over-long", "over-expository", or "overly ridden by plot holes". VULTURE.COM, who released a review that contained numerous indicative spoilers (one huge spoiler came in the form of quotation marks!), also released an article that pointed out 21 of the films supposed "plot holes" the day after it was released. Those pretentious assholes were more focused on how…

Popular reviews

  • Whiplash



    It's been a couple of days since I screened Whiplash at Edmonton Film Festival, and for the life of me I can't find anything wrong with it. It is as gripping, raw, unique, and emotional as anything I've seen in recent past. The film is as exhilarating as it relentless; and it refuses to withdraw itself for a moment. The plot itself is fairly straightforward: a young man has an unparalleled desire to become a world class drummer, and is…

  • Edge of Tomorrow

    Edge of Tomorrow


    Tom Cruise certainly has a knack for starring in standalone science-fiction films; Minority Report, War of the Worlds, Oblivion and now Edge of Tomorrow, Cruise is a household name for fresh, blockbuster material. So why is it then that these movies fail to make any money at the domestic box office? Do we not like Cruise post-Oprah? Do we not enjoy any science fiction outside of comic book adaptations? Who knows. But regardless of the answer, Edge is one of…