"Eve, dear, this is Addison."
A colleague from my graduate program published this substantial piece in the Los Angeles Review of Books taking the movie to task smartly, but perhaps in over-familiar ways—it's the best and most worthwhile version of an argument about race, privilege and this film that I disagree with. It raises a lot of questions for me, so I responded on Facebook today (1.16.2017) with the following:
This is really sharp. The points about melodrama and masculinity are especially dead-on. I think…
Here is when it all falls apart -- rather, shows itself becoming the film it wants, but doesn't need to be. Marty Baron (Schreiber) has just become the new editor of the Boston Globe. Boston is a Catholic town, rich with institutional history: a robust popular press, a monolithic church. Baron, newly minted as the editor of the biggest newspaper in town and a Jew to boot, must meet with Cardinal Bernard Law, the since-defamed Archbishop of Boston, because these…