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  • Echoes of Silence

    Echoes of Silence


    "The film just thrums with an intangible something, yanked from the air and given a rough, hesitant shape by the directive of the scene, i.e. find somebody to fuck."

    I wrote an appreciation of Echoes of Silence for Senses of Cinema's new 1967 dossier:

  • Moonlight


    Moonlight started on the screen, drifted off it, and then rushed right through me. It's a throbbing, romantic phantom of a movie - its textures, alternately cool and humid, are so sensual that they feel like a thin, prickled skin. Watching becomes an act of touch.

    It's an elemental movie - weather and bodies are always changing, always responding, receiving and projecting their influence onto other climates and bodies. Moonlight's story stretches across decades in three chapters, but finally collapses…

Popular reviews

  • Hard to Be a God

    Hard to Be a God


    With more farts than Blazing Saddles and enough vomit to rival Bad Taste, Aleksej German's final film is so vivid that you'd think it had revived smell-o-vision.

    Like František Vláčil's Marketa Lazarová, this medievil epic - set on the planet Arkanar, which in its 13th Century is experiencing its Renaissance - is influenced little by plot, and instead cocoons the viewer into its primitive speck of the macrocosm. The idea is time travel - not so much evoking a period…

  • Inherent Vice

    Inherent Vice


    Strange Rhythms...

    - Best opening/closing title of 2015 (so far, but it'll be hard to beat).

    - It's a fruitless comparison, but the opening image, of a Pacific vista sandwiched between two beach huts, and focalized by their gates closed back-to-back, reminds me of the second shot of Ozu's Floating Weeds, where the view of a vast ocean is hemmed by two boats, and a lighthouse in the far background offers a centre (I couldn't find screencaps of those shots,…