Keep On Keepin’ On

Keep On Keepin’ On ★★★★

KEEP ON KEEPIN' ON is a documentary following the stories of two men. The first is a teacher, a mentor and an inspiration: Clark Terry, one of the greatest jazz trumpeters of all time. The second is Terry’s student, Justin Kauflin, a 23-year-old blind piano player on the verge of his big break.

Born in St. Louis, Mo., “a trumpet player’s town,” on December 14, 1920, Terry fashioned his first trumpet from scraps found at the local junkyard. But from those humble beginnings he went on to play with Count Basie, Duke Ellington, Thelonious Monk and so on. To Quincy Jones, he was a teacher. To Miles Davis, he was an idol. To Dizzy Gillespie, he was “the happiest sound in jazz” and that sound was in high demand. Terry performed on more than 900 recordings with a who’s who of jazz greats, but that isn’t the legacy Terry is concerned with. For Terry, his greatest work is his students.

Alan Hicks, the director of the doc, was himself a student of Terry’s (Hicks is a drummer from Australia) and he claims responsibility for introducing Terry to Kauflin. Kauflin is a gifted pianist, but due to a rare degenerative disorder, Kauflin lost his sight at age 11. Although blessed on the ivories, Kauflin suffers from stage fright, which has held him back during crucial performances. Thankfully, he’s got Terry in his corner, and with Terry in your corner, everything is fine.

KEEP ON KEEPIN’ ON is the first film from Hicks, and to make this labor of love, Hicks followed Terry and Kauflin around for five years. Compiling archive footage from Terry’s prolific career and adding animation to accompany Terry’s background adds to the film, but the most impressive footage comes from the intimate access Terry and Kauflin grant Hicks.

Hicks describes jazz as “improvisation within form,” and that is precisely what Hicks and his editor, Denver native Davis Coombe, come up with. KEEP ON KEEPIN’ ON could have been a dull-as-dust story of two musicians, one on the way up and one on the way down, both meeting in the middle. Instead, Hicks and Coombe craft a documentary that tells the story of parallel lives, never mind the 70-year difference in their age.

KEEP ON KEEPIN’ ON is a delight. It is a joyous, uplifting, tribute to one of the great American art forms, and it is filled to the brim with some of the best that music has to offer (Kauflin worked on the score with none other than jazz great and University of Colorado Boulder’s own, Dave Grusin). No one should miss it. After watching Keep On Keepin’ On, viewers will go to sleep knowing that somewhere in Arkansas, Terry and his students continue to run scales, late after midnight.

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