Human complicity in the face of the most vile, carnal and disgusting desires. Being human as an uncontrollable beast, with its insatiable instinct that does not respond to any rational act. A suffocating camera, a cinematography that shoots the film like a living hell, a montage embarrassed to show their own deeds, needing to be slowly built. Everything seems to act in favor of this animalization of man.
-
A cumplicidade humana diante dos desejos mais vis, carnais e nojentos.…

If you have Hitchcock's To Catch a Thief (1955) or Jean Vigo and Boris Kaufman's À Propos de Nice (1930) as references of films that best portray the sensuality and daily life of the French coast, forget them. Go see this Varda documentary. In 25 minutes she can create a microcosm of the whole region, ranging from exotic natural landscapes, tourist spots that ressambles foreign countries, close-ups of beach bathers or simple everyday gestures like a hotel porter who always…

Edgar Wright is the king of sound mixing and editing, the way he does the foreshadowing of the zombie apocalypse in the early minutes of the movie is something that should be used in film schools. As a clearly comedy film, the director also have merits by creating jumpscares in banal moments that really scares, in a clear irony to the genre. For you to find this movie a work of art you have to embrace its idiocy, that is…