A quintessential Linklater film, who really manages to create retrospective cultural artefacts like very few others. A fun nostlagic trip to Houston in the 60s.
I usually don't like Linklater films because I find American nostalgia very boring. Especially because it tends to generally be very divorced from the systemic racism and politics. Apollo 10 1/2 was slightly better in that aspect. This film also seemed more adept at grasping the weirdness of growing up in a country moving towards the future, unsure of where it first began.