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  • Her



    Is now a good time to talk? 

  • Annihilation



    Incredibly minimalistic for all of its celestial overgrowth and heady idealism. I think it’s ultimately about coming to terms with defeat. How to not blame yourself, how to learn to let go of the misery that comes with being part of such a doomed species (characters literally transform into new life forms while stating they’re not fighting or facing their fate). I don’t know if Garland is making intelligent films, but they’re certainly inoffensive and offer subjective reflection, as withholding…

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  • Sicario



    "He who fights with monsters might take care lest he thereby become a monster. And if you gaze for long into an abyss, the abyss gazes also into you." -Nietzsche

    Nietzsche's quote above, infamous as it is, finds here perhaps its most literal translation to cinema.

  • Inherent Vice

    Inherent Vice


    Along the beaches of Southern California in 1970, the hippie haze is fading away and free love is meeting consequence. Trust in everyday strangers becoming as rare as a rainy Sunday morning, and the honchos wearing bronze badges against their pressed shirts leading the paranoid raid of these drug fueled days and nights. And at once we find ourselves in the head and shoes of one Doc Sportello. As melancholic for the days of old as any other of his…