How is it possible that I've seen Michael Bay movies that are more subtle than what this film tried to accomplish?

This is easily the most generic of the wave of dystopian young adult dramas based on books to the point where it even makes the ham-fisted Divergent franchise look like Citizen Kane in comparison. It's basically Jean Grey: The Movie if it was set in the world of Divergent and it has no shame in ripping everything off from…

Pretty much the definition of a 3.5/5 movie, fun and enjoyable but nothing special - in other words, pretty much the definition of a Marvel movie. This was a pretty bad theatrical experience though as someone would not stop snoring throughout the whole thing.

Oh, and that second end-credits scene is pointless and doesn't even have the charm of Spider-Man: Homecoming's. It would have been better had the two been switched around, because that first - oh that first -…

Hoop-Tober 2015! (1/31)

"Now, this air shaft may work to our advantage. Here. It leads up to and comes out in the main airlock. All right, there's only one big opening along the way, we can cover that up, and then we... drive it into the airlock and zap it into outer space."

And yet another classic movie that I should have probably seen by now is ticked off my watchlist. Hot on the heels of the likes of Lost…

Between Unsane, A Quiet Place and Hereditary 2018 has been a pretty damn good year for horror and I love how original this film is. The monsters are unique in their skill-set and the casting of an actual deaf actress as a deaf character is a welcome refreshing experience when there are so many actors who just pretend to be deaf. Millicent Simmonds was great and more than held her own with Emily Blunt and John Krasinski.

A perfect showcase…