mitch f. anderson’s review published on Letterboxd:
hell yeah!! pure transcendence, escalation towards communal expression and creation, to the point where I got emotional by the time we got actual shots of the audience at the end. you can just feel the love the camera has for every single person on stage here. David Byrne is like if David Bowie bought a used car dealership tube man into his teleportation machine with him and I hope he lives forever