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  • Lucy

    Lucy

    I had a lot of fun watching Lucy. It starts off a bit dull, but then kicks into what felt like a self-consciously fun gear when the title character begins her transformation into a human who can use more than ten percent of her cerebral capacity. I like this movie even more when I put it side-by-side with another Scarlett Johansson feature that came out around the same time, Under the Skin. Lucy is the complete opposite of that film in its overly sleek style and jarring intercuts. But darn it, it’s a good time precisely because it’s so ridiculous and doesn’t try to hide it.

  • Carol

    Carol

    This review may contain spoilers. I can handle the truth.

    Quick reflection on my at-home bluray rewatch of the immersive Carol: There's a pleasurable, painful tension in this movie between how so much is on the surface--intentions, possibilities, the past--and how so much is mediated in the way characters are framed or boxed into windows, doorways, and the like. This tension conveys what it feels like to live in a world of explicit and implicit regulations. Some movies are great for having a scope that kicks us out of our…

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  • Whiplash

    Whiplash

    This review may contain spoilers. I can handle the truth.

    Whiplash begins as a movie about two seemingly different men: 19-year-old conservatory first-year Andrew Neyman and respected, feared studio band teacher Terence Fletcher. In their first encounter, Andrew even wears a white t-shirt and jeans in contrast to Fletcher’s sleek and serious all-black getup. As the movie goes on, however, it turns out Andrew and Fletcher are actually quite similar.

    Whiplash boils down to a story about how uncompromising, desperate, and petty masculinity can be. The movie is at its…

  • Mommy

    Mommy

    Mommy might be my favorite Xavier Dolan movie yet (I haven’t seen Tom at the Farm though). Like many who keep abreast of the art film world, the clamor around Dolan’s first two films - which he both directs and acts in - intrigued me because I love powerful cinematic voices. And what a loud voice Dolan’s filmmaking has: characters often yell at each other, and when they’re not, a carefully selected piece of music blares as our eyes take…