79/100
”I'm sorry to be brutal.”
After being completely blown away by Cooper Raiff’s debut Shithouse, he instantly jumped up to one of my most intriguing new voices in the industry and hearing of his newest film was supposedly releasing in 2022, it really became one of my most anticipated of the year. I think after watching both his films it’s clear how much Raiff understands how much passion and heart each film needs to really grasp how relationships can…
65/100
”Buzz Lightyear mission log. After a full year of being marooned on this planet, our first test flight is a go.”
I feel like I can’t be the only one who still expects Pixar to return back to their original form where they released a stone-cold masterpiece year after year and probably had the longest stretch of greatness in film history. I get that nothing lasts forever, but recently even if most of what they do is never even…
100
"Why don't we just... wait here for a little while... see what happens?"
It's funny how much the film itself is like its opening title card; comes straight to you out of nowhere in a dark blue aesthetic feel that gets you hella pumped for the best 109 minutes of practical effects you'll ever see.
Bone-chilling, white-knuckled fists, a crackle of the fire heard from a distance; John Carpenter's The Thing isn't just a film you watch, it's a…
99/100
"I guess I'll see you in the movies."
At the mere age of 31, and with just two feature films under his belt, Damien Chazelle has become one of the most daring and passionate filmmakers working today. His first outing, the brutal and intense Whiplash, introduced us to Chazelle with big eyes and having us look out for anything his name is attached to. Now, two years later, he returns to the directors chair to bring us an ode…
