Movieman630 has written 12 reviews for films rated ★★★★★ during 2021.

  • The Power of the Dog

    The Power of the Dog


    The Power of the Dog is definitely a film to sit on for a bit. It's a very deep film, one with themes that are not necessarily apparent at the time of viewing, though which will sit with you long after the film is over. Despite this, it is constantly apparent that the film is building up to something. It's clear that there's a lot on its mind from the get-go, and the end does help to bring things into…

  • Spencer



    Spencer is a wonderfully artistic film, which makes fantastic use of subjective Point of View. The film is an examination of the trauma that was caused to Diana through the nation and the crown forcing her to be somebody she was not. Kristen Stewart is brilliant in the film, and allows us to feel like we are inside her head, understanding the horrible situation she was in. The cinematography by Claire Mathon and the score by Johnny Greenwood excellently enhance all of this. A powerful, beautiful, fascinating experience.

  • Dune



    This is the first time in several years that I've forgotten I was watching a movie. Like, I became so invested in the film that, for a few moments, I forgot that I was a human being who had a life outside of the film. Every single aspect of the film is brilliant. The visuals, the performances, the score, everything is just top top tier.

  • Raiders of the Lost Ark

    Raiders of the Lost Ark


    Why am I not able to give this a sixth star?

  • The Assassination of Jesse James by the Coward Robert Ford
  • The Dark Knight

    The Dark Knight


    Has there been a better directed blockbuster in the last 20 years?

  • Promising Young Woman

    Promising Young Woman


    Fucking Hell, this one's gonna stick with me for a while.

    Promising Young Woman is a righteously angry, focused and important film, one that uses the framework of a revenge story to shine a light on a trauma that is all to common, and all to often ignored.

    The title refers to the phrase "promising young man," which is how much of the media chose to describe rapist Brock Turner. The twist of the title is very intentional, as it…

  • Minari



    Minari is further proof of why A24 is my favorite company currently in the film business. Minari is a wonderfully intimate and emotional film. Brilliant actors find deep human truths in a small scale story that never loses sight of what life is, a series of moments, some great and some terrible.

    Not much more to say. Brilliant in every way.

  • The Father

    The Father


    The Father is a fascinating experience that may actually be able to do some good in the world. Having had a grandparent who suffered from dementia, I found myself empathizing with her in a brand new way after watching this film. Director Florian Zeller expertly uses the language of film to simulate the experience of losing one's mental faculties. As such, it causes the audience to understand the anger, fear and confusion that comes with (essentially) having your own mind…

  • Nomadland



    Nomadland often feels more like a documentary than a narrative feature. Of course, the presence of Frances McDormand and David Strathairn occasionally interrupts this, but most of the film just feels like a documentary following Nomads in the modern American plains. Of course, a huge part of this is due to the casting of actual nomads as most of the supporting characters. Though none of these are professional actors, they all are able to channel their true life experiences into…

  • Lonesome Dove

    Lonesome Dove


    One of the greatest westerns of all time. Lonesome Dove effortlessly straddles the line between recreating and deconstructing the classic western. The tone and visuals perfectly evoke the old classics, while the twists and turns of the story expose a more realistic take, one where being good isn't enough to survive.

    Augustus McCrae, played by Robert Duvall, may be the single greatest cowboy character ever created, a brilliant ranger and lawman who'd rather just drink and whore his way through…

  • The Vast of Night

    The Vast of Night


    Well that was fantastic. The Vast of Night brilliantly takes its time in developing one of the more intriguing sci fi mysteries of recent years. Though much of what's in the film has been done before, few films have used the sheer overwhelming concept of the unknown in such a powerful way. Director Andrew Patterson shows remarkable restraint in this project. He lets the characters faces and voices tell the story and drive the mystery. In such a way, the film is not about the reveal, but rather the act of engaging in curiosity.