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  • The Post

    The Post

    ★★½

    So Mr Show got reeeeal serious, huh.

    Objectively speaking, this is probably on a par with Bridge of Spies, both being well constructed pieces of period-porn with a clear, strong message and a terrible ending that showcases the worst of Spielberg. Difference is, I was actually invested in BoS' story, while I find it considerably more difficult to engross myself in these👏jour👏na👏list👏ic👏in👏teg👏ri👏ty👏 movies that mostly consist of balding white men rubbing their foreheads, that this became a bit of a slog.

    Zach Woods!

  • Coco

    Coco

    ★★★★

    Really great but THE SKELETONS HAVE LIPS MADE OF BONE AND THE LADY SKELETONS HAVE LIPSTICK ON THEIR BONE LIPS AND CAN YOU FUCKING IMAGINE WAKING UP ONE MORNING TO SEE YOUR DEAD, SKELETAL GRANDMA SMEARING LIPSTICK ALL OVER HER SKULL, FUCK THAT'S SOME FRIGHTENING SHIT RIGHT THERE.

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  • Barry

    Barry

    ★★★★

    Two words are curiously absent for the majority of Vikram Gandhi's Barry. Those words are 'Barack' and 'Obama'. In this year's other college-age presidential biopic, Southside With You, those words hang over the heads of the characters in every scene and therein lies the reason why the former is a considerably better film. Whereas SWY is a story about the two people who grew up to be President and First Lady, Barry is about a young man of mixed race…

  • Mad Max: Fury Road

    Mad Max: Fury Road

    ★★★★

    You know how during the final scene of Whiplash, you got that feeling as if your heart was about to burst out of your chest? Well that's pretty much how I felt for the whole of Mad Max: Fury Road.

    We'll start with the positives, and there are quite a few of them. On the whole, the film looks fantastic. The practical stunts are just as awesome as they were in The Road Warrior, and even most of the CGI…