Michael Sicinski’s review published on Letterboxd :
I hadn't seen this in almost twenty years, and I was curious to see how it held up. Quite well, actually. Only two elements struck me as particularly dated: Rainer's odd lap-dissolve edits in the middle of scenes, and her use of the music of the Penguin Cafe Orchestra.
Otherwise, we've been weaving in and out of this film's universe nonstop since Rainer made it. Not a comfortable ride, especially for its deserving male targets.