Malcolm and Marrie uses its B&W aesthetic not only as a surface of definition of what it is, but as a formal and visionary decision to define its percents of engagement with contemporary cinema, It hates what they write about films and authors. In Malcolm and Marrie we are confronting with elements of time and sounds: physical time vs dramatic time, the affective sensational impact which demonstrates the relation of audience and the process of creation ,and how this relation…
Shoplifters is the second film I've watched from Koreeda's works and I like his style in Japan's contemporary cinema. Shoplifter's approach to capture the sense of living is by the use of Mise-en-scène and deep focuses on his characters. I loved all the performances and you could completely feel the situations they were dealing with.
Parasite can be called a decent film, though I expected much more from Memories of Murder's director. I think in Parasite there are two different tone and rhythm. First half which is the 'set up' scenes, the black comedy and everything seems about right, the problem of Parasite starts when they come to the victims' house to spend the night, from now on everything is a mess! The film losts its way and ends badly. I still think his Memories of Murder is his best work till today and I think it's also his only good feature.