There is plenty of self-awareness in the gay community. Even today, when we can finally aspire to the same rights as everyone else (though not in every State), we burden ourselves with the fear of knowing that a good portion of the population doesn't condone our lifestyle. We are some of the best actors out there, imitating others so that we can at least be "gay enough" to fit in with the LGTB community or "butch enough" to fit in…
Ancient institutions, such as the Catholic Church, have always been a curiosity of mine. This film doesn’t just feed that interest, but it attempts to enlighten us as to the spiritual reminiscing of two great preachers of the faith.
Though I appreciated some of the film’s literary tangents, I also found myself at odds with the film’s attempt to lecture us about politics and economic models.
As much time as the film spent as a simple conversation between two very…
A ruminative and surprisingly introspective film. Director Martin Scorsese looks back at the work that made him a household name by tinkering with the formula, without revising it entirely.
A near-masterwork if it weren’t for the overindulgence of its running time, and the near-absence of a female point of view (Anna Paquin, who comes the closest to giving a female perspective acts more as a God-like, all-seeing and all-judging entity that serves and reacts to the doings of the lead character).
If you’re looking for a poetic rendition of Shakespeare’s Henry V, look elsewhere.
If your expectations aren’t so grand, The King is a perfectly adept film about a young man whose reluctancy to be the leader of his empire made him uniquely and ironically qualified for the position.
The performances, especially that of Timothee Chalamet in the lead role showing, yet again, his precocious talent. The small role played by Robert Pattison is also especially satisfying.
It is said authors fall in love with their characters. Such is the case of Vince Gilligan with Jesse Pinkman, the unlikely hero of the Breaking Bad franchise.
El Camino greatest success is that it feels like a natural progression to the show, albeit a less cathartic yet more redemptive finale to a fantastically told tragedy.
Aaron Paul’s deserves some attention for seamlessly recapturing the magic of his most famous character.
The 9th and second-to-last film of Quentin Tarantino’s career is also his most relaxed and least focused. In that it seems to be a step towards a kind of filmmaking that is more observant and patient albeit less story driven than all of his previous efforts.
Contrary to what some critics have said, it’s not that Once Upon A Time in Hollywood lacks a plot, but that whatever semblance of a plot it has serves larger and more interesting ideas.…
Equal parts frustrating and riveting. A nightmare and a dream all wrapped into one. If the first half feels like torture, then the second feels like salvation. Elizabeth Moss inhabits every gesture, every tear and every non-sensical bit of dialogue with total abandon.
The film’s title hints at something foul and dirty. As such, director Alex Ross Perry places us in the thick of the stench found in backstages around the country hosting a coked-out, drunk, incoherent yet magnetic self-destructing rocker.
An awesome cinematic experience found in a rather imperfect film.