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  • Tampopo



    Exuberantly unrestrained, it's hard to fault Tampopo for its unevenness when that's part of the point here; a movie stitched together in an almost stream-of-consciousness way, yet always recognizably itself.

  • Angst



    Unique and inventive in its cinematography and editing; it feels both cheap and impressively virtuosic at times. Unfortunately, in the end, it’s no more than an unpleasant document of a deranged killing spree. Hardly seems worth the bother.

Popular reviews

  • Starship Troopers

    Starship Troopers


    It's as good an action/sci-fi movie as has ever been made, and on top of it, it's a subversive, complex, yet highly entertaining examination of the cost of social order. It has held up beautifully over the past 15 years, and in retrospect, it's one of the best movies of the 1990s.

  • The Master

    The Master


    It's perfectly fine for a movie to have an elusive core, to not be about anything in particular. But when that is the case, it should at least populate the screen with enough varied ideas to invite engagement. The Master is a claustrophobic, one-track tale(?) and so the overwhelming emotions it invokes are befuddlement and, often, boredom.

    The titular Master is very mildly based on Scientology's L. Ron Hubbard, and references that spell this out do the movie no favors,…