Meticulously crafted, with exceptionally memorable performances delivered by everyone, McQueen included—but this acts as a punctuation mark on the realization that they’re all maybe a bit too good for this material.
Equal parts sloppy and fascinating, Society is a satire that fails to reach the sublime heights of something like Starship Troopers, but it’s so unique that I don’t really mind the flaws very much. It’s also refreshing to see a movie whose best third by far is the last one—how often does that happen?
It's as good an action/sci-fi movie as has ever been made, and on top of it, it's a subversive, complex, yet highly entertaining examination of the cost of social order. It has held up beautifully over the past 15 years, and in retrospect, it's one of the best movies of the 1990s.
It's perfectly fine for a movie to have an elusive core, to not be about anything in particular. But when that is the case, it should at least populate the screen with enough varied ideas to invite engagement. The Master is a claustrophobic, one-track tale(?) and so the overwhelming emotions it invokes are befuddlement and, often, boredom.
The titular Master is very mildly based on Scientology's L. Ron Hubbard, and references that spell this out do the movie no favors,…