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  • Halloween

    Halloween

    ★★★★

    There’s a lot to unpack here, and I’ll start of by saying my immediate reaction walking out of the theater was that I liked it, despite definitly having some issues... so I went home and let it simmer for a while... 

    The first act didn’t jive with me, but once Michael obtained the mask, or for that matter anytime the Shape was on screen I thought it was dynamite, exactly how I’d want to see The Shape shift through houses…

  • Let's Scare Jessica to Death

    Let's Scare Jessica to Death

    ★★★★★

    The perfect mood.

    Eeriness that bathes in a transient vampire lake of surreal dread, deliberately paced, and oozing with psychological macabre madness. That’s my best approximation of the very distinct tone set by Let’s Scare Jessica to Death, a title that conjures up thoughts of seedy relatives and the “let's bump her off to get her inheritance!" style of plot, which this is most certainly not. This is cosmic doom.

    A psychological post hippie horror jam about a recently institutionalized woman…

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  • Double Exposure

    Double Exposure

    ★★½

    I’m pretty sure whenever the director or whoever says “and that’s a wrap!” for the day everyone just partied all night doing loads of cocaine before getting naked for some disgustingly sweaty hairy chested vasoline drenched drugged up orgies lol.

  • Alien Predators

    Alien Predators

    ★★½

    Three RV roadtripping friends in Spain stumble into some NASA doomsday shit going down via organisms that were taken from the Apollo 14 moon mission. People start getting weird and occasionally goopy... some nosebleeds happen, there’s a few much lower budgeted and less effective deformations like in The Thing, and there’s a desolate town with a creepy mask wearing person and a rando doll that keeps turning up... all while our three travelling friends are in some weird bizarre love…

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  • In the Tall Grass

    In the Tall Grass

    ★★★½

    Lawn of the Dead.

  • Rosemary's Baby

    Rosemary's Baby

    ★★★★★

    Highly disturbing and very modern, I’d even go as far as saying this and Romero’s Night of the Living Dead were the first modern horror films—1968 was a hell of a year. It’s been a few years since I gave this a watch and holy smokes it still hits me hard... filling me with copious amounts of uneasiness with each moment of subtle pacing—what a dread atmos soaked harrowing nightmare scenario.


    “La La La” music will always be terrifying.