all mankind ought to be able to desire eating plastic without it meaning anything more than them liking the taste of plastic.
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High and Low 1963
mind-melding with kurosawa's rhythm sort of feels like speaking a foreign language to me.
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No Time to Die 2021
squanders fukunaga's characteristically good form/rhythm on a bad script that insists on complete self-seriousness.
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Certified Copy 2010
this is a periodically relaxing movie that gets hamstrung by annoyingly regressive and patronizing gender politics in the back stretch.
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The River 1951
renoir is trying to do an interesting thing here, but unfortunately the central conceit is built around inhabiting this child-like perspective, and trying to artistically do that without being spiritually eight (lucas, malick) is a recipe for your framing device feeling contrived and inauthentic.