Favorite films

  • Letter from an Unknown Woman
  • Ugetsu
  • The Rules of the Game
  • Sunrise: A Song of Two Humans

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  • Northern Pursuit

  • Desperate Journey

  • They Died with Their Boots On

  • The Cock-Eyed World

Recent reviews

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  • Northern Pursuit

    Northern Pursuit

    Sarris's "Far Side of Paradise" entry for Walsh in The American Cinema (1969). "Far Side of Paradise" refers to "the directors who fall short of the Pantheon either because of a fragmentation of their personal vision or because of disruptive career problems."

    If the heroes of Ford are sustained by tradition, and the heroes of Hawks by professionalism, the heroes of Walsh are sustained by nothing more than a feeling for adventure. The Fordian hero knows why he is doing…

  • Desperate Journey

    Desperate Journey

    Sarris's "Far Side of Paradise" entry for Walsh in The American Cinema (1969). "Far Side of Paradise" refers to "the directors who fall short of the Pantheon either because of a fragmentation of their personal vision or because of disruptive career problems."

    If the heroes of Ford are sustained by tradition, and the heroes of Hawks by professionalism, the heroes of Walsh are sustained by nothing more than a feeling for adventure. The Fordian hero knows why he is doing…

Popular reviews

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  • Les Dames du Bois de Boulogne

    Les Dames du Bois de Boulogne

    Robert Bresson's Les Dames du Bois de Boulogne deserves a few explanatory notes, if only because this brilliant work has been so widely and wildly vilified by so-called realistic criticism. Realism, as Harold Rosenberg has so sagely remarked, is but one of the 57 varieties of decoration. Yet, particularly where movies are concerned, the absurdly limited realism of the script girl and the shop girl is too often invoked at the expense of the artist's meaning. Why, oh why, whines…

  • Lawrence of Arabia

    Lawrence of Arabia

    If there had been no newspaper strike, and mine were a lonely voice instead of an only voice, Lawrence of Arabia might now be festooned with the superlatives accorded such previous superproductions as The Best Years of Our Lives, Around the World in 80 Days, The Bridge on the River Kwai, and Ben Hur. But like its almost forgotten predecessors, Lawrence is simply another expensive mirage, dull, overlong, and coldly impersonal. Its objective is less to entertain or enlighten than…